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Color sync for multi-channel file is a step in the right direction...

Unless I'm missing something, to beat Adobe's level of print production functionality OG would have to have trapping, overprint, channel-specific manipulation, light-level and curve, spot color, just to name a few.

Also artwork of placed images and how it maintained quality of high-res scans from advanced scanners such as drum and scitex scanners. As well as a good track record for outputing to lino and/or direct-digital

But that's my opinion, I'll defer to anyone working at a printer or pre-press service bureau who recommends it.